The Script Vault

P. J. Reed is a playwright, poet, and multi-genre writer from England whose dramatic work vibrates at the edges where horror, fantasy, and the uncanny intersect. 

   Her plays, monologues, sketches, and short-works are not simply performances they are portals into places where the ordinary fractures. Hers is not a theatre of comfort.

    It is a theatre of unease, where laughter is edged with fear, where parody dances with dread, and where the supernatural is often less “other” than a reflection of internal shadows.

   Her dramatic works often fall into categories such as dark monologues, supernatural horror, parodies, sketches, and very short plays (skits), many of which explore moral dimensions, identity, fear, and the consequences of forbidden power. Humor is often her blade: sharp, unexpected, used to wound, or to show how thin the membrane is between what we call “normal” and what we try not to see.

   One recurrent feature in Reed’s plays is the supernatural not as spectacle, but as truth: the uncanny is a mirror. Ghosts, warlocks, hauntings are not just external threats—they are intertwined with guilt, trauma, desire, power, the longing to escape or to be seen. The settings—remote villages, weird landscapes, rural moors—accentuate isolation, the space for magic, for dread, but also for introspection. Her characters are often caught in moral and psychological tensions: what price magic? What parts of oneself must one hide? What horrors are we capable of?

   Her work also leans explicitly into genre, not apologetically but purposefully: horror, dark comedy, speculative fantasy. Reed does not hide her taste for what is deliciously odd. She values atmosphere, interiority, dread, but also laughter, and often uses contrast: the mundane disrupted by the terrible, the everyday by the magical or monstrous.